- Showing the underground section. The whole underground section are made of glass, cube shaped and it is slanted to give a dimensional feeling. Below are Piccinini's workspace, i have stated how i got the idea for the stairs at the other post titled Stair's Section. Why glass? I did said Piccinini's artwork are related to nature and human evolution so i'm trying to give this earthly feeling by making the whole space glass so you can see the soils and how it feels like to be underground. And her artworks are dark/gloomy and scary/gruesome. So the only natural lighting are from the above where the staircase are. And the natural lighting will highlight the space and abit of reflection because of the glass surrounding the space and there will be shadows here and there giving this eerie feeling when people are coming down and walk around looking at the artworks. The whole concept reflects on her artwork like how her artworks reflect on people to me it is quite direct maybe to other people are different but that's how i view it.
- A clearer view on the whole section of the ground floor and underground. The huge transparent like is part of my material. Why i put it there? It is not fully matte but transparent like how the glass is. It adds more freaky feeling and to me that material is "nature". That is how plants, animals or humans exist. From a tiny bean or a tiny fetus surround by soils or veins. That is how it is developed and that is how i got the idea from. The ground floor is also an exhibition area so does one staircase down, there will be artworks displayed too.
- This is the entire section building without the earth soil surrounding it. The top most is Richard Goodwin's workspace. When i view his artwork through his website, it gives the spacey feeling, not crammed more like out of the box kind of feeling. He displays his sculptures in an open space and so i made the top floor open space. The walls and floor that looks like it is tearing apart, why i did that its because the concept is amorphous. Means it is changing indirectly/morphing. Morphing can be like caterpillar morph or to me is futuristic morphing. It reminds me of his sculpture that he extrude or explode/tore the futuristic automobile with jotting beams and you can see even the smallest part in the engine. So the top floor is like trying to tear apart and change like moving around changing indirectly. Actually the entire building is considered open space concept. There's no complicated route leading people to nowhere.
- Showing the underground section. The whole underground section are made of glass, cube shaped and it is slanted to give a dimensional feeling. Below are Piccinini's workspace, i have stated how i got the idea for the stairs at the other post titled Stair's Section. Why glass? I did said Piccinini's artwork are related to nature and human evolution so i'm trying to give this earthly feeling by making the whole space glass so you can see the soils and how it feels like to be underground. And her artworks are dark/gloomy and scary/gruesome. So the only natural lighting are from the above where the staircase are. And the natural lighting will highlight the space and abit of reflection because of the glass surrounding the space and there will be shadows here and there giving this eerie feeling when people are coming down and walk around looking at the artworks. The whole concept reflects on her artwork like how her artworks reflect on people to me it is quite direct maybe to other people are different but that's how i view it.
- A clearer view on the whole section of the ground floor and underground. The huge transparent like is part of my material. Why i put it there? It is not fully matte but transparent like how the glass is. It adds more freaky feeling and to me that material is "nature". That is how plants, animals or humans exist. From a tiny bean or a tiny fetus surround by soils or veins. That is how it is developed and that is how i got the idea from. The ground floor is also an exhibition area so does one staircase down, there will be artworks displayed too.
- This is the entire section building without the earth soil surrounding it. The top most is Richard Goodwin's workspace. When i view his artwork through his website, it gives the spacey feeling, not crammed more like out of the box kind of feeling. He displays his sculptures in an open space and so i made the top floor open space. The walls and floor that looks like it is tearing apart, why i did that its because the concept is amorphous. Means it is changing indirectly/morphing. Morphing can be like caterpillar morph or to me is futuristic morphing. It reminds me of his sculpture that he extrude or explode/tore the futuristic automobile with jotting beams and you can see even the smallest part in the engine. So the top floor is like trying to tear apart and change like moving around changing indirectly. Actually the entire building is considered open space concept. There's no complicated route leading people to nowhere. 
- This is how the entrance looks like. You might think there is errors on top floor's wall's material as you can see it is multiplying. Well it is purposely done like this with no error. It gives the feeling of movement as i told you the concept is amorphous; morphing/evolving + moving. Imagine tornado; it moves and changes. Complicated concepts for both artist that i picked but that is what makes it special. Too straightforward meanings are dull. Like artists, their artworks may look simple but filled with hidden complicated meaning and reasons why they drew it why this why that.
-Material above is splatter. Why i picked the material because it looks like his artwork displayed on one of the wall in an abstract view. It also looks like one of his sculpture which the exploded vehicle with beams holding on to the pieces of the vehicle which is called the poroplastic. You can see it in his official website or on one of my older post.
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